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The 5 Steps of Going to a Dance by Yourself

11/21/2016

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By Mary Cox
This past Saturday, Nov 19, was the Student Honor Council’s second-annual Season of Giving dance. I went alone, and had a blast.
Being an upperclassmen living on campus often means having some trouble finding people to go to events with. Most of my friends now live in houses or apartments not really close to anything, and I don’t expect them to make the journey to eat free, luke-warm Papa John’s at the Student Center on a Saturday evening. With that, this year has been a year of doing things by myself. I figure as long as I don’t have to cook my own dinner it wouldn’t hurt to build a little independence some other way. This weekend I decided to take my biggest step yet and conquer my 15-year-old self’s biggest nightmare - attending a dance solo. And I don’t mean no date (I jumped that hurdle every Homecoming of high school), no, I mean completely alone. No one to take a pictures with, a pity considering I looked especially cute. No one to pregame at Applebee’s with. Nothing but my donation of two boxes of Kraft mac and cheese to keep me company on the long trek from Noyer to Park, my footsteps echoing across the dark, lonely night. Here is how I made it through.

Step one:
Briefly consider not even going.


The time was 7:30 p.m. I lay on my bed, full face of make-up, dress on, scrolling through my social media as I passed the hour before the dance began. This is when it dawned on me how easy it would be to just not go. My effort and outfit would not be wasted since I had a birthday party to attend later in the evening, and sitting in a dimly lit room alone on Twitter is far more relaxing than being in an even more dimly lit room full of strangers. On the other hand, I love to dance, and college doesn’t allow for many opportunities to do so that aren’t in a frat house on Riverside with a Trump for President banner hanging in the window. In the end, this was enough to motivate me. Beyond that, there was always the possibility that my attractive co-worker would be there, and I’m never one to pass on an opportunity to hate myself for not making a move. Before I could change my mind and take a nap instead, I got up and made my way to the Park Multi-purpose room.


Step two:
Show up way too early.


With no one to wait on, I knew my anxiety would drive me to extreme punctuality, but I had devised a plan to combat this. In my mind, leaving my room at 8:27 and taking the long way would put me at my destination a comfortable five minutes late. Unfortunately, time is an illusion, and I showed up at exactly 8:30. As I passed by the MPR from outside I could see through the window that a few SHC members were still doing some last minute set-up. Visions of a dark, empty room with a solitary white guy dancing to Flo Rida’s “Low” haunted me as I walked down the long back hallway of Park. Luckily, there were several people I recognized already there, and more arrived soon after.



Step three: Realize you actually have more friends than you thought.

As the night went on, the little dance circle that had originally consisted of myself and my N&N editor slowly began to fill in with familiar faces. I realized how many amazing connections I had made through the Honors College, and began to regret that I had not really nurtured any of them. Sure, I would speak to whoever sat next to me in class and throw a wave when I passed them on campus, but I didn’t really know them - and that’s a shame. I felt comfortable doing an interpretive dance to “Closer” and scream-singing “Party in the U.S.A.” with every person there. You can’t say that about everyone. I’m not sure I could even say that about some of the people I’ve considered close friends in the past. Knowing there are plenty of people out there willing to join in with my terrible dancing makes the world feel a little less lonely.

Step four:
Have fun.


I certainly did. Nothing is quite as cathartic as not caring whether or not anyone cares about or even notices what you’re doing and just losing yourself to Cascada’s “Everytime We Touch”.  


Step five:
Leave whenever you want.


While this step is possibly the most selfish, I can’t deny it was definitely a major perk of attending a dance by yourself. At no time during the night did I feel the need to make any decisions to appease anyone else. In the past I’ve left dances early because someone I came with was bored, or stayed way longer than I wanted to because my friend was too busy trying to flirt. It was also nice to be able to go to the bathroom alone for a change, and have my pick of every single photobooth prop. But most importantly I didn’t have to convince anyone that “Cotton-eyed Joe” wasn’t worth staying for. I easily slipped away after a few good-byes before I had to watch three and a half minutes of white people line dancing to folk-techno. I’ve never felt so blessed.

When all was said and done, I’m glad I decided to get out of bed and go to this dance. Even though my dress was unbelievably hot and my attractive co-worker never showed up (hit me up if you’re reading this), it was worth it to find a few more people I know I can count on to be unabashedly awkward dancers with me. I guess that is what I am thankful for.
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Honors Haunted House 2: The Chocolate Menace

11/2/2016

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By Ellie Fawcett
As many of you may remember, last year I wrote a story about sweating my actual face off at the Honors House of Horrors (and if you don’t remember it, have a refresher here!) This year I’m here to tell you about my new menace: stage makeup made of food.

On the eve of the haunted house event, I arrived at the Honors House to begin setting up at approximately 6:00 p.m.. I was stationed in the dining room, a room we were going to somehow turn into  the scene of a surgery with four white bedsheets and 42,000-ish white plastic table cloths. The goal, of course, was to recreate the sterile white terror of the operating room. We began to cover the extensively brown walls of our room. Here we hit our first snag. As you may or may not know, white plastic table cloths are incredibly thin. They are so thin, in fact, that they do nothing to cover the dark brown walls of the dining room unless one chooses to layer them. As we began the evening with four table cloths, this presented an issue. Luckily the ever-wonderful Brooke Mayer saved the day, bringing us more sheets in the eleventh hour. We were saved from one struggle only to face the next.

Having decorated our room, we moved on to decorating ourselves. The characters in our room consisted of two doctors, two patients, and a scary man in a mask who could stalk our guests through the room creepily. I volunteered to play a patient strapped to a chair about to have some sort of awful head surgery. We began creepening ourselves up: whitening faces, darkening eyes, bloodying ourselves up. Unfortunately it was at this time we discovered that the fake blood didn’t look particularly bloody on skin or fabric. Another actor in the house solved this problem with chocolate syrup, which does in fact look an awful lot like dried blood when smudged onto skin and fabric. (Also, fun fact about chocolate blood! In Psycho the blood swirling down the shower drain is indeed chocolate syrup.) You may at first think that covering yourself in chocolate sounds like a dream come true, but there are some side effects one might not take into consideration in those  fantasies, such as the horrific stickiness and the overwhelming smell.

Alas, this was not the last of my food-based haunted house horrors. Did you know that flour and water mixed look like scars on skin? That’s because it doesn’t. I learned this fact the hard way. Having been told otherwise I let someone glop the pasty mixture onto my neck and shoulders. Having been covered in various foods, it was time to begin.

The doctor (portrayed by the somewhat terrifying Maren Orchard) strapped me to a chair with some plastic cords. Here began the real struggle. The cords ran across the chocolate on my arms, making the cords stick to my skin. This effect was exacerbated when the hauntening began in earnest. As we performed and more and more people entered the house, the dining room began to warm up. Now, while this caused nowhere near as much sweat as the table, it did cause just enough to prevent the chocolate from drying fully. The continually damp chocolate remained sticky, and my skin remained stuck to the plastic cords for most of the house. Somehow, however, the dampening effect didn’t extend to the flour/water paste. The paste dried into a hard pointy crust that stuck firmly to my skin and itched like nobody’s business. The more it dried the more bothersome it was. By the time the house was half over I began picking at it as soon as visitors left the room. I thought I was going to lose my mind. The crust was shockingly painful to rip off, and the cords were also shockingly painful to unstick from the chocolate. As anyone who knows me well has heard upwards of a million times, I truly dislike having gross things on my skin. I can’t handle the sensation of having water on my hands after I wash them, a continual source of irritation to my mother who gets stuck waiting for me to dry my hands completely. The evening was full of unpleasant sensations.

By 9:50, ten minutes from the end of the house, the restraining cords had turned brown from the chocolate and the floor around my chair was covered in picked off flour paste flakes. The line was cut off. We were nearly there. Everyone in the dining room was feeling the sticky, crunchy exhaustion setting in, but we rallied. We did it. We scared those last fifteen people, and we did a darn good job. The last group went through, and we were free. Free to sprint to the bathroom, rip off our costumes, and feel the sweet, sweet relief of washing off all the various food items. The crust fell off, the chocolate flowed down the drain, and I was once more able to move without sticking or crunching.
Picture
Playing dead or defeated by the chocolate menace? (Thanks to Maren Orchard for this wonderful photo!)
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